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Polina Proutskova |
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 Born 1973 in Saint-Petersburg, Russia, since 1993 in Germany, German citizen, since 2007 in UK.
Assistant researcher, OMRAS2, PhD student of the Computing Department, Goldsmiths College, University of London.
Research interests: computational ethnomusicology, large-scale quantitative research on ethnomusicological recordings, music archives, networking, interoperability, metadata standardization and enrichment, with the focus on ethnomusicological archives.
Career and research
2000-2003 design and development of Java software for genetic research / cloning experiments http://www.bioconstructor.com/. Since 2001 Research on Russian rural musical traditions, fieldwork in regions Poozer’je, Brjanskaja oblast' and Arkhangelskaja oblast’. Since 2003 active membership in Forum440, an independent interdisciplinary union of scholars working on the social aspects of music media theory www.forum440.de. Since 2004 Foundation and conduction of Germany’s first ensemble for authentic Russian folklore music www.polynushka.de
research on Pile – a new data architecture allowing extremely fast search without indexing http://pilesys.com/Pile Math Intro.htm.. Since 2005 research on ethnomusicological archives, networking and interoperability, contacts to leading archives in Europe and the USA.
2006 consulting music archives on building electronic catalogues and metadata structures: (1) ”Music Of Man Archive/Laade collection”, Hannover, Germany; (2) DISMARC, a European multinational network of music archives. 2006 coordinating a study on musical diversity in Europe for UNESCO/International Music Council http://www.unesco.org/imc/programmes/imc_diversity_app.pdf pp. 106 - 203
Since 2007 researcher in the OMRAS2 project (A Distributed Research Environment for Music Informatics and Computational Musicology) at Goldsmiths College, University of London http://www.omras2.com/cgi-sys/cgiwrap/musicstr/view/Main/WebHome
Since 2007 working on the PhD on computational ethnomusicology and music information retrieval for recordings of non-Western music
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